About Atom Dead Latex
The poem is an anti-war poem, seen through the eyes of a runaway who has been wounded, is suffering from shell-shock and hallucinations.
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About Dee Sunshine
Dee Sunshine is a writer, artist, musician, tantric healer, yoga teacher and new age gypsy. He is the author of three poetry collections and a novel. His latest poetry collection, "Visions Of The Drowning Man" was published by Skylight Press in 2012 and is available via Amazon in print or as an e-book. All of his poetry collections are available as audio books via https://deesunshine.bandcamp.com/. His website is at http://www.thunderburst.co.uk.*
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The angels play kettledrums for these dead men:
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smiling, sad as colonels handing out medals, medals for dead men, medals for warriors who went forth and multiplied their gift for death, casting apocalyptic pearls before ungrateful swine, sowing seeds on infertile ground. This is war! All will be destroyed. There will be no garden of liberation. A tin machine with angry, jubilant, glorious others underneath waves in deep trenches of mud: a second drum-roll of celluloid images contrived by the avant-garde chosen few, imagining the burnt out survivors, their paltry offerings, their pleading hands wailing. Now, running away: not an army, not a parade of green berets, merely a pawn in the underground, smelling of piss and fear, of ammonia and amino acid, of endings and beginnings. Soft bellied, raging and ragged, dragged into the bright magnesium light, a death march across the chess-board, remembering soft, pink milky tits and being blown to bits - the wind pushing you ever forward. Forward by His Light, this infernal God of Zion, benignly smiling down on the broken shell of this broken town. Broken and breaking down, you lie on the roof of the world, staring down into a white free sun, high as sky high love light, white shadows before your body. You feel nothing but these pink tit bits, this blood, this mud: hear angels singing alongside the sirens... soft and gentle, touching you with their wounds, drifting like chiffon dressed brides dancing through corn, drifting like Christ on his cross, illuminating bodies far below sprayed in meat bits across this charnel ground, rusted metal dreams unsprung, like tank bits rattling to the timpani of exploding shell casings, a crease of cordite ensnaring your senses. Such pain in these dreams: red as aerated blood, sharp as a cut-throat razor. The red leaking out into the soil, leaching the body of all vitality, leaving it blue as winter's breath. Hopeless, this dreaming of something white: hopeless, this dreaming of something soft. You remember only, how to breathe. Breathe, nearly naked small boy at her breast, free like wind, eat up the Earth, like swimming in warm amniotic fluid. Sustenance in your belly: a field-mouse caught unawares, caught in the snare of your broken hands, once, so here and now, now... nothing. How red meat disgusts! You remember other times... Shells exploding all around you, thick clouds of acrid smoke, the burning at the back of your throat. You didn't stay and die like all the others. You didn't talk of home-cooking, of cricket matches on village greens. You said life is not a piece of cake. Now you croak, in your blood-gargled throat, I want out Sunk down ocean deep in asphyxiating toxic mud: the corporal cries out last one into the bunker's a dead man Bombers pass overhead, grinding the sky to gunmetal dawn. A second sun rises in the East. You hear your mouth leading you down the rutted road towards death: a red maiden walking the red squares of the chess board. You are frightened by these half-starved hallucinations, command them in a whisper to Stop Nothing else: too ragged for flight, too week to fight. They strike, like orange-red flowers of death, like an orgasm of Christ-light, the swollen blinking of shrapnel, the thundercrash of the master race. Death slinks away, leaving moon-craters in fields of brilliant fertility. Your legs twitch with the itch to run away, but movement doesn't come. Then a sense of tranquillity descends: fear backs out the door, leaving you alone - a serotonin flood of unexplained joy lodged in your brain, like a stone. You sense death approaching like an aching virgin bride, her hands outstretched and glowing. She is Mary, the woman of sorrows, melting in a river of salt water... and then she is gone, gone, gone. Voices, echoing through liquid: they call you back to the here and now of corpses and gunshot orchestras, the serenade of mustard gas and you replay and replay the same old worn out can of film - you are running back to the small, shelled town where, only days before, you were strung out and toxic, waiting for orders to advance. You are running back. No fragment of your being moved to false heroics. Absenting yourself without leave because you couldn't take leave of your senses. I am running back No falling for the stoic myth: you dream of flying free, lying in the blood-soaked earth, under the cover of charred, scorched fronds that once were crops. See her coming to you, blond hair in pleats. A corn dolly. A hallucination: the devil dancing on a fiery sea of stones. Let my hometown fry in a firestorm, you mutter, grateful for release from this war. Then you see her, her pink tits milking your thirsty mouth, an angel emissary of the starving deity: you hear her bagpipe wail, her disarray, the mocking cabaret of dead men, the vile smell of freight trains. I am nothing, you cry out into the night, a man-swat fly of fear, a part of those who would strike out at a random bunch, a random race... be they ugly or Christ-like and gentle. You are running towards faraway hills, an early small boy naked: feel nothing now but your lungs... remembering how to breathe. Running now, a scream tore her... to free her breast like the wind, that you may eat up the Earth. Her teats like matchwood, leading your mouth to death. Stones on the red squares of this board. Here lies an unknown soldier. Too anonymous when the orders came in. Here, there is no garden of England: no return to the soft rebate of hills, the rose twines of church gates and Sunday roast cricket. You will never eat from these bodies burnt, twisted, torn in soft brown moist gravy, an idyll of rural angels and chess boards, red & white gingham of schoolgirl innocence. This is the wretchedness of all this bloody war: there can never be a return. These medals are for killers. This kingdom, this green and pleasant land, this happy-ever-after is a lie, a satin wrapped syphilitic whore. There is nothing left in this burnt out aftermath: nothing to breathe; just this torn pink tit of flesh in your side (and no pain anymore) just a choir of vengeful angels singing you down to dust: so, you are Christ and all red meat disgusts.
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